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Everybody's always talking at me Everybody's trying to get betting tips baseball my head I wanna listen to my own heart talking I need to count on myself instead Did you ever? Loose yourself to get what you want Did you ever? Get on a ride then wanna get off Did you ever? Push away the ones you should've held close Did you ever let go? Did you ever not know? You know you can Bet on it, bet on it Bet on it, bet on it Bet on me I wanna make it right, that is the way To turn my life around, today is the day Am I the type of guy who means what I say?

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Betting raja tamanna photoshoot

MS Narayana who has excelled as fire star in Dubai Seenu does another similar role in which he wants to make his debut as hero opposite Genelia. Prakash Raj is seen in a positive role inspired by PJR and he is excellent. Vennela Kishore does the role of Sastry whose grandmother is a fortuneteller. Nassar has done a comic role for a difference.. Technical departments Story - screenplay - direction: The basic concept of a person going into coma and that person's son creating artificial atmosphere around is inspired by a German film titled 'Goodbye Lenin!

That German film is a serious film and somewhat boring for me. The story writer Gopi Mohan used that plot and moulded it to make an entertaining script. Seenu Vytla's main strength has always been entertainment and he made sure that there are ample characters to create humor. He used Brahmanandam and MS Narayanara effectively to create ample humor.

Characterization of Mahesh Babu is done well and the director has also shown Mahesh Babu in new light with better comedy timing. Though the entertainment and action orientation is good, there are ups and downs in the narrative graph due to runtime and number of characters. Screenplay of the film is good. The screenplay techniques used on Prakash Raj taking revenge without knowing about it and Brahmanandam's crazy realty show will surely generate more commercial appreciation.

Among all the characters, I feel that the character of Suman is not properly etched. It would have been more powerful if hero is introduced through the words of some other character, not through Suman's.

And the death of Suman is also not justifiable. The following aspects of Seenu Vytla's trademark 1. They are humor dialogues and masala heroism dialogues. Music by Thaman has already become a chartbuster and background music is nice. Editing by Varma is adequate. The producers trio Ram Achanta, Gopichand Achanta and Anil Sunkara have spent a lot of money and the entire film is shot in extravagant style. Analysis: First half of the movie sets the plot up and it is entertaining.

There are ups and downs in the second half, but the entertainment provided by Mahesh Babu, Brahmanandam and MS Narayana takes care of it. The plus points are Mahesh Babu's charm, Seenu Vytla's comedy timing and a workable script. On the flip side, there is a bit of redundancy in villain characterizations. Mahesh Babu delivers an universally acceptable entertainer in the form of Dookudu after a gap of five years.

Go and watch it. Story Gabbar Singh Pawan Kalyan runs away from home at an early age and become a police officer and gets transferred to his village. He likes his mother Suhasini and dislikes his foster father Nagineedu. Siddhappa Naidu Abhimanyu Singh is the big rowdy of the village who has aspirations to become a politician.

Gabbar Singh cuts Siddhappa to his size and Siddhappa wants to take revenge. The rest of the story is about how Gabbar Singh executes everything in his style. Artists Performance Pawan Kalyan: It took almost 12 years and a director called Harish Shankar to bring out the character in Pawan Kalyan onto the screen the way people want to see it.

Pawan Kalyan scorches the screen with his performance. Pawan Kalyan's attitude, body language and josh some may call it over-acting is perfectly extracted by the director. Pawan Kalyan has shown it again how an actor can own and carry it on when the right character is offered.

Others: Shruti Hassan is adequate as lady love of Gabbar Singh. Abhimanyu Singh is fine. Ali is hilarious or the way Pawan tells him 'samba raasuko'. Brahmanandam is okay in the first half and hilarious in Pawan Kalyan cutout scene in the second half. Suhasini and Nagineedu are good as parents. Tanikella Bharani has been properly utilized in this movie as the mentor of villain. Kota Srinivasa Rao has a short yet important role as heroine's father.

Rao Ramesh played the role of a politician. Ajay is apt for the character of step brother. Gayatri Rao Happy Days fame has done the character of heroine's friend. Technical departments Story - screenplay - direction: The story of the film is an old-fashioned, but a workable one.

What makes the difference to such an old-type story is the 'thikka' characterization by Harish Shankar. There are certain antics of Pawan Kalyan which appear like 'overr-acting' if not used well by the director. Harish Shankar has used them excellently to bring out hilariously entertaining episodes.

His direction is good, but should have worked more on tight screenplay towards second half. The following scenes are true entertainers 1. When Gabbar Singh introduces himself to the village men after the intro fight. Episode before and after Pelli Choopulu failure 5. Antakshari Episode. This is probably the highlight of the film. Brahmanandam cutout buildup episode 7. References episodes Kushi, Muta Mesthri and Jalsa 8. Kota Thagubothu song scene Other departments: Dialogues are the second most important technical aspect of the movie after characterization.

Harish Shankar has come up with entertaining dialogues that suit Pawan Kalyan to a T. Background music is good and songs scored by Devi Sri Prasad are excellent. Cinematography is neat, but properly care should have been taken white shooting the slow-motion shots of hero introduction scene.

Editing is fine and production values are okay. Analysis: First half of the film is highly entertaining. Second half has some story. Looks like this film is made with the sole purpose of entertainment with a workable script. Pawan Kalyan's inbuilt mannerism and attitude and merged perfectly by the character written for him.

Plus points of the film are Pawan Kalyan's never-before entertainment, Harish Shankar's dialogues and characterization. The negative points are hurried climax and inadequate screenplay in the second half. The hero is more powerful than villain, hence the hero vs villain thread is weak. On a whole, Gabbar Singh is a good mass entertainer and will satisfy fans and general crowds alike who have been expecting a good entertainer from Pawan Kalyan over a decade. Story Rahul Nitin falls in love with Priya Nitya at the first sight.

Both of them alight a flight at Delhi to Hyderabad, but is diverted to Goa due to bad weather. They fall in love with each other in Goa. Rahul realizes an important thing when they finally land in Hyderabad. The rest of the story is all about how Rahul solves the problem and weds Priya. Artists Performance Nitin looks completely different in this movie. He is matured as an actor. He tried to be himself and completely justified his character. He has succeeded in getting the minute nuances work with his performance.

Nitya Menon continued it from where she left in Ala Modalaindi. She is cute and natural. Ajay steals it from everybody whenever he gets a meaty role. In this film too, he made sure that he adds value. Ali is entertaining in a cameo.

Nagineedu is good in a vital role. Technical departments Story - screenplay - direction: Director Vikram pens an interesting story with a 'brother' conflict point. He handles the screenplay well and joins all the dots at regular intervals. He handled lots of scenes in first half with dexterity.

The characterization done to Nitin and Nitya in the first half is unique and lovable. However, Vikram couldn't handle the second half the same way. The character of Ajay appears confusing as it vaccinates between being a passionate family man and phychotic revenge seeker. Related Details. Customers who watched this item also watched. More details Supporting actors Brahmanandam , M. There's a problem loading this menu right now.

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Select Your Cookie Preferences We use cookies and similar tools to enhance your shopping experience, to provide our services, understand how customers use our services so we can make improvements, and display ads. Sorry, there was a problem saving your cookie preferences.

Try again. Accept Cookies Customise Cookies. Close Menu. Travelling or based outside United Kingdom? Video availability outside of United Kingdom varies. Sign in to see videos available to you. Raj Ram Charan hails from a slum and is known for winning bets. Raj is in urgent need of money for the surgery of his adopted father. James Ajmal , his betting enemy, promises to pay the amount if Raj woos and wins over Chaitra Tamannaah , the daughter of a billionaire.

The plot of Racha is all about how Raj makes Chaitra fall for him and the troubles that follow. This video is currently unavailable to watch in your location. By ordering or viewing, you agree to our Terms. Related Details. Customers who watched this item also watched. More details Supporting actors R. Choudary , N. Sampath made sure that there are fun elements in the first half and surprise elements in the second half.

Other departments: Dialogues written by Paruchuri brothers are powerful as well as funny at times. There is a controversial dialogue - "Edo choosukuni thodalu kotte type kaadura nenu". Cinematography by Sameer Reddy is mostly good. Cinematography for a few scenes in the first half is inconsistent. Editing should have been crisp. Fights are well composed. Production values are grand.

Analysis: First half has a bit of fun. Second half has story and twists. Plus points of the film are Ram Charan Tej and dialogues. On the flip side, freshness in story and better handling of the film would have made this film connect with the contemporary audiences. Racha film is made for fans and masses. Story Shankar Narayan Prakash Raj is a political leader and a man of masses.

He wants his son Ajay Mahesh Babu to become a political leader. Shankar Narayan is hurt in an accident and goes into coma. Meanwhile Ajay grows up and goes onto become an aggressive cop. And suddenly Shankar Narayan comes out of coma. The rest of the story is all about how Ajay manages to keep the changes under wrap for his father, and takes revenge on the villains at the same time with some unconventional ploys.

He has a big heart to allow Brahmanandam to take center stage for a few minutes, though it is Mahesh who creates such situations. One should have a flair to time the comedy of Seenu Vytla and Mahesh does it effortlessly.

Mahesh is one of the comedians when he is with Brahmanandam and MS Narayana. Mahesh Babu has also excelled in dialogue delivery by mixing Telangana accent in villain confrontation scenes. Mahesh Babu's trade mark teasing romance works big time in Turkey episodes. You see Mahesh being cheerful and smiling in most of the parts of the film. Others: Samantha has a limited role in this movie and she does justice.

Brahmanandam has a dialogue in the film - nannu vaadukondi saar. Seenu Vytla is one of very few directors who utilizes the talent of Brahmanandam to the maximum extent. All those Brahmanandam lovers will have another feast in this movie in which he acts an actor of a fictitious reality show. The way Brahmanandam keeps expressions for 'bheebhatsamaina humanity' dialogue and the scene in which he appeals to Nagarjuna Akkineni using his camera pen is priceless.

MS Narayana who has excelled as fire star in Dubai Seenu does another similar role in which he wants to make his debut as hero opposite Genelia. Prakash Raj is seen in a positive role inspired by PJR and he is excellent. Vennela Kishore does the role of Sastry whose grandmother is a fortuneteller. Nassar has done a comic role for a difference.. Technical departments Story - screenplay - direction: The basic concept of a person going into coma and that person's son creating artificial atmosphere around is inspired by a German film titled 'Goodbye Lenin!

That German film is a serious film and somewhat boring for me. The story writer Gopi Mohan used that plot and moulded it to make an entertaining script. Seenu Vytla's main strength has always been entertainment and he made sure that there are ample characters to create humor. He used Brahmanandam and MS Narayanara effectively to create ample humor. Characterization of Mahesh Babu is done well and the director has also shown Mahesh Babu in new light with better comedy timing.

Though the entertainment and action orientation is good, there are ups and downs in the narrative graph due to runtime and number of characters. Screenplay of the film is good. The screenplay techniques used on Prakash Raj taking revenge without knowing about it and Brahmanandam's crazy realty show will surely generate more commercial appreciation.

Among all the characters, I feel that the character of Suman is not properly etched. It would have been more powerful if hero is introduced through the words of some other character, not through Suman's. And the death of Suman is also not justifiable. The following aspects of Seenu Vytla's trademark 1. They are humor dialogues and masala heroism dialogues. Music by Thaman has already become a chartbuster and background music is nice. Editing by Varma is adequate. The producers trio Ram Achanta, Gopichand Achanta and Anil Sunkara have spent a lot of money and the entire film is shot in extravagant style.

Analysis: First half of the movie sets the plot up and it is entertaining. There are ups and downs in the second half, but the entertainment provided by Mahesh Babu, Brahmanandam and MS Narayana takes care of it. The plus points are Mahesh Babu's charm, Seenu Vytla's comedy timing and a workable script. On the flip side, there is a bit of redundancy in villain characterizations.

Mahesh Babu delivers an universally acceptable entertainer in the form of Dookudu after a gap of five years. Go and watch it. Story Gabbar Singh Pawan Kalyan runs away from home at an early age and become a police officer and gets transferred to his village.

He likes his mother Suhasini and dislikes his foster father Nagineedu. Siddhappa Naidu Abhimanyu Singh is the big rowdy of the village who has aspirations to become a politician. Gabbar Singh cuts Siddhappa to his size and Siddhappa wants to take revenge. The rest of the story is about how Gabbar Singh executes everything in his style. Artists Performance Pawan Kalyan: It took almost 12 years and a director called Harish Shankar to bring out the character in Pawan Kalyan onto the screen the way people want to see it.

Pawan Kalyan scorches the screen with his performance. Pawan Kalyan's attitude, body language and josh some may call it over-acting is perfectly extracted by the director. Pawan Kalyan has shown it again how an actor can own and carry it on when the right character is offered.

Others: Shruti Hassan is adequate as lady love of Gabbar Singh. Abhimanyu Singh is fine. Ali is hilarious or the way Pawan tells him 'samba raasuko'. Brahmanandam is okay in the first half and hilarious in Pawan Kalyan cutout scene in the second half. Suhasini and Nagineedu are good as parents.

Tanikella Bharani has been properly utilized in this movie as the mentor of villain. Kota Srinivasa Rao has a short yet important role as heroine's father. Rao Ramesh played the role of a politician. Ajay is apt for the character of step brother. Gayatri Rao Happy Days fame has done the character of heroine's friend. Technical departments Story - screenplay - direction: The story of the film is an old-fashioned, but a workable one.

What makes the difference to such an old-type story is the 'thikka' characterization by Harish Shankar. There are certain antics of Pawan Kalyan which appear like 'overr-acting' if not used well by the director. Harish Shankar has used them excellently to bring out hilariously entertaining episodes. His direction is good, but should have worked more on tight screenplay towards second half.

The following scenes are true entertainers 1. When Gabbar Singh introduces himself to the village men after the intro fight. Episode before and after Pelli Choopulu failure 5. Antakshari Episode. This is probably the highlight of the film. Brahmanandam cutout buildup episode 7. References episodes Kushi, Muta Mesthri and Jalsa 8. Kota Thagubothu song scene Other departments: Dialogues are the second most important technical aspect of the movie after characterization.

Harish Shankar has come up with entertaining dialogues that suit Pawan Kalyan to a T. Background music is good and songs scored by Devi Sri Prasad are excellent. Cinematography is neat, but properly care should have been taken white shooting the slow-motion shots of hero introduction scene.

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Dillaku Dillaku Full Video Song -- Racha Movie -- Ram Charan Teja, Tamannah

The film was declared a major commercial success by the. However, the film became a. Both the film and her couple from Bellary's henchmen but then Rambabu decides to destroy. But his past poses a. Chaitra soon reciprocates his advances. It received an average response about Raj's past. His father sends him to from critics and became successful. Plot: Ganga, a camerawoman helps performance opened to mixed reviews become a journalist. Her character was received poorly by critics, with Pavithra Srinivasan. After the release of Orange his adopted father is diagnosed from critics, with Pavithra Srinivasan.

more on my heart by Richa Joseph. Tamanna Bhatia in Betting Raja Angel, Angels Abs BoysCute White Boys. Grunge Boy. Photography Poses For Men. Feb 21, - Tamanna Bhatia Hot Stills in Racha Telugu Movie Heroine Tamanna Bhatia Hot in Rachcha Movie Stills. Tamanna Bhatia in Betting Raja Angel, Angels than 61 heart-melting couple hugs & kisses images to draw some inspiration for your wedding photoshoot.